Edge Of Wheat Field With Poppies - Vincent Van Gogh - Landscape Painting

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• Our Highest Grade Museum Prints take 2-3 days to dry up completely.
• The Artwork is then Framed and shipped in Safe 3-Layered Packaging to ensure complete safety of the artwork. **Please Note: The " Only Print / No Frame " art print is rolled inside a tube and shipped
•Your Artwork is eligible for a 7 Days return or replacement.

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Please note that all our prints are made to order & created only once your order is placed, this is to ensure only the best quality for your prints. But because of this we take a bit longer to have your prints ready and delivered to you. Please bear with us while we get your prints ready. If your order is time sensitive please whatsapp us at +91 7349487781 to check if we can deliver within that timeline.

Vincent Willem van Gogh was a Dutch post-impressionist painter who posthumously became one of the most famous and influential figures in the history of Western art. In a decade, he created about 2,100 artworks, including around 860 oil paintings, most of which date from the last two years of his life. They include landscapes, still lifes, portraits and self-portraits, and are characterised by bold colours and dramatic, impulsive and expressive brushwork that contributed to the foundations of modern art. He was not commercially successful, and his suicide at 37 came after years of mental illness, depression and poverty.Edge of a Wheat Field with Poppies, made in the summer of 1887, gives a sense of the many influences van Gogh was exposed to during his first year in the “hotbed of ideas” [as he called Paris in a letter to his sister]. The small painting captivates us with its bright contrast between the orange yellow of the field and the complementary radiant blue of the sky, the dark green of the new shoots coming up and the vivid vermillion of the poppies, sprinkled across the canvas in free dashes. The vertical space is evenly divided between earth and sky. The vantage point is surprisingly low to the ground; we look at the scene as though up a hill. This is not the vast expanse of field shown in Caillebotte’s painting or van Gogh’s later landscapes, but a detail—a highly fragmented view. A slender poplar arcs along the left edge of the painting, and clusters of budding stalks seem to dance on the horizon line.